A Paper from the reign of George III (1760 – 1820) Found in a Norfolk inn.
The original document has a bright green ground with blue pin dots
and a cream overprint.

The interior of Santa Maria Assunta in Venice gives the impression of a church clothed in damask.Grey and green marble is inlaid on the walls and pillars of the building, in less important areas paint effects have been used as a convincing imitation of marble inlay.Construction was begun on the church in 1714 and completed in 1729 and is more usually known in Venice as the ‘Gesuiti

A late Georgian paper, found at Scampston Hall in North Yorkshire.
Fragments still exist in the house, grounded in Etruscan Red and Printed with a gold highlight which has now oxidised to black.

An eighteenth century Russian design which is unusual in its use of formal damask elements combined with stylised roses.

A collection of two colour striped wallpapers which are all based on layouts taken from historical originals, All of the papers in this collection are printed by dragging the paper under a striping trough in the traditional manner and are all manufactured using water based mediums on 150Gsm paper. All of the papers in both of our stripe collections can be custom coloured to suit clients requirements.

Pembroke Med-Gliver

Pembroke Donkey

Special Restorations and Reconstructions

Glen Affric
A series of scenes from a Scottish hunting lodge. Painted by Sir Edwin Henry Landseer, the famous English Victorian painter.

Maine Chinoiserie
Chinese wallpaper from 1794 as printed in Maine New England USA, in the early Republic.
This was originally reproduced by Bruce Fine Papers for a museum project in New England.

Higganum
A three colour blockprinted wallpaper reproduced by Bruce Fine Papers for a museum in Higganum Connecticut

Ostrich Paper
A five colour blockprinted wallpaper design recreated by Bruce Fine Papers for Scampston Hall.

Wollaton Blockprint
A block printed wallpaper reproduced for Wollaton Hall Nottinghamshire.